Location sound and aerial work across documentary, factual and broadcast productions — in the Western Australian outback and beyond.
These are working stills from real shoot days — rigging radio mics on set, booming in the field, and
flying for aerial coverage across Western Australia. Locations run from Perth studios and the Swan River
to the Pilbara, the Goldfields and the outback further out. They give a fair picture of what a shoot day
looks like: the kit that travels, the conditions it works in, and how the
sound and drone services come together on location.
Rigging a performerRadio lav on a dancer in full costume — hidden, secure enough to survive movement, and out of shot.Booming in the outbackNo shade, no mains power and wind that never stops. The rig runs all day on batteries under 100Wh.Last lightFactual shoots run to the light, not the clock. The final setup is usually the one that has to work first time.Inside an aircraftRecording in an engine bay: confined access, vibration and a noise floor you cannot turn down. Placement does the work.Walking it inRemote location, everything carried. What you left in the vehicle is what you do without.Rottnest IslandCommercial drone work here needs an RIA filming permit lodged thirty days out. Worth knowing before the quote goes in.
